School of Rock
Hale Centre Theatre
Sound Designer: Michelle Ohumukini
As the assistant sound designer to Michelle Ohumukini for Hale Centre Theatre’s Production of School of Rock, my primary responsibilities were to document the system, maintain drawings and paperwork, and come up with a solution to manage a large number of monitor mixes. Below is a section of that paperwork that we used to communicate with the broader design team as well as our own team as we planned out and install the show.




All production photos: Leavitt Wells
Director: David Smith
Stage Manager: Chantel Ficklin
Costumes: Peggy Willis
Hair/makeup: Trisha Ison
Scenic: Kacey Udy
Lighting: Jaron Hermansen
System Documentation (Selected)
Block Diagram




Device Plot




Speaker Plot




Max
A look at the Max patch used to record and restore the IEM mixes for both musicians and performers on stage. With only 16 auxes but 30 performers, this Max patch effectively doubled the size of our monitor console (a Behringer X32) and saved the A2 countless hours manually inputting data every night.

What the A2 saw every night to select who was performing in what role.

The magic behind the scenes.

What the A2 saw every night to select who was performing in what role.